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A series of events lead them to meet on Christmas Eve over a few drinks. Following this night of debauchery, they wake up to discover that they've gotten married.
Now, Rahul has more than just his job loss to hide from his parents. Casting and Filming Following the success of their previous collaboration I Hate Luv Storys (2010), Khan was signed on by Johar to play the film's male protagonist. In an attempt to sign on an actress who had never worked with Khan before, Kapoor was confirmed to play the female lead several days later.
Principal photography commenced in November 2010 in Las Vegas after Khan had completed working on his other project and later continued in Los Angeles. After completing the film's first schedule, the crew later shifted to shoot in Pataudi, the Indian state of Haryana. Aug 13, 2011 (Moviemaat): Ajob Prem Ebong is a 2011 Bengali movie directed by Arindam De with Rahul, Paoli Dam, Chiranjeet and others in the cast. Read the Bengali film review at Moviemaat. AJOB PREM EBONG – OUT OF THE BOXSynopsis:Sometimes, a film is released without any fanfare. Even the mandatory p.r.o. Machinery is missing that hands you a press kit with pictures, brochure, a ball pen and a writing pad.
These give you an idea of what to expect. But when a film is suddenly thrust on you without warning and a text message on your cell is the only indicator of a press show, you tend to shrug it off as “one of those debut making films for a director that will surely be pulled out within the week.” Ajob Prem Ebong sticks out a tongue at your thoughts. “Ajob” means strange and attached to the word “prem” it could cook up a collage of colourful images to imagine what this strange love could be. Then there is the “ebong” which means “and” promising things other than the strange love the title boasts of.Ajob Prem Ebong is a surprise package despite the teething troubles of the new director and the lack of top stars, or, even a cohesive storyline. It sometimes threatens to reduce the narrative to a soppy melodrama but picks up in mood and tempo almost at once with intelligent tongue-in-cheek satire.
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Nakul (Rahul) a bus cleaner, is in love with Munni, the bus he works for. He dreams of driving into nowhere in and with Munni some day, along the dusty roads of Birbhum and Bolpur where the story is located and the film has been extensively shot. “This is my woman, I cannot live without her,” he cries out desperately when everyone tries to appropriate the bus with their own political, social and financial axes to grind. The ‘Ebong’ is comprised of an idealist Mathematics teacher (Chiranjeet) and his assistant (Padmanabha Dasgupta) whose school runs empty because there is no bus for the children to move in and back. They wants the bus.
Mahadeb (Biswajit Chakraborty) is a farmer whose son (Anirban) gets a government job in a village nearby. But while getting off the bus, the young man gets run over by the rear wheels of the bus and dies instantly.
The bus belongs to one of the two political contenders (Sabyasachi Chakraborty) who hides the bus and gets the driver Makhan killed. The satire begins when the police hushes up the case of the callous accident by recording that a falling tree killed the man and not a speeding bus. His political opponent Boroda (Paran Bandopadhyay) tries to take mileage out of this incident. The two in their own distinct ways, try to curry favour from the grief-stricken, near-crazy Mahadeb. In the meanwhile, Mahadeb’s widowed daughter-in-law Moina (Paoli Dam) has fallen for Nakul and wants to run away with him. But Nakul is trapped – the bus or Moina?
Both eccentric and villainous Sabyasachi and the slimy Boroda chase Maina while Sabyasachi offers the bus as compensation to Mahadeb when the latter wins in the court case against the bus owner. Ajob Prem EbonG is a roller-coaster ride of a collage of characters – eccentric, funny, sad and pathetic in turns. Mahadeb spits out satire when he says, “those whose kids die in bus or train or car accidents can easily get a bus as compensation,” without intending to be satirical. Biswajit Chakraborty is mind-blowing as Mahadeb followed by a very controlled performance by Mithu Chakraborty as his seemingly docile but really strong wife. Chiranjit is good in a character he has never done before, shorn of his mannerisms. Padmanabha complements him ably. Rahul is natural as a normal young man afraid to fight a dozen men ready to reduce him to a pulp and torn between his love for Munni and his desire for Moina.
Sabyasachi Chakraborty does a caricaturish villain that harks back to his exaggerated villainy in a popular television serial. Paoli is good in the scenes where she expresses her sexual desire but is otherwise too camera conscious with plucked eyebrows and a lovely skin, sans the dark circles a young widow is expected to have. Pamanabha’s screenplay and dialogue are pithy, satiric, funny, emotionally touching by turns. Shomik’s music is good but at least one song – the one featuring a romantic scene between Nakul and Maina sticks out terribly. The item number is another negative point and so are the repetitive romantic scenes between Nakul and Moina. On an invitation by Mahitosh Singha Ray, Lalmohon Babu takes Feluda and Topshe to a forest near Bhutan and climbs up in the ancestral home of Mahitosh Singha Ray. After few days of their arrival,Mahitosh Singha Ray's assistance, Tarit dies.
His deadbody is found in the forest, and police believes he has died due to the tiger's snarl. But later they found a blood-stained sword near his body. Meanwhile, Mahitosh gives Feluda a puzzle to solve. Feluda's amazing intelligence is proved in this part. He solves it most amazingly, and at the end, chalks out that a treasure chest is hidden 55 hands away from a tree which has a hole between it, which looks like an old person's mouth without any teeth; between two Arjuna trees. While Feluda and his companion are on the way to the treasure chest, they finds Tarit's spectacles and later on, his torch, which suggests that Tarit has solved the puzzle much earlier than the others, and was on his way to the treasure chest.
At last, Feluda finds the treasure chest, and helds out the conclusion. Mahitosh had broke his hand due to a fall from a tree, which Feluda came to know when he was unable to hold the rifle. All the precious huntings of the tiger were done by his friend, Shashanka. On that night, while Tarit was about to leave, Shashanka too followed him quietly. When there came a Royal Bengal Tiger. Shashanka fired his rifle, which shoot off the tiger's nose after Feluda found a bit of skin.
Tarit's sword, as he observed, has begun acting like a magnet, which was created by a flash of lightning. Thus, Tarit wasn't murdered by any villain, but only, the nature was the cause of his death. He, at the end of the story is rewarded with a part of treasure. The film opens with Reshma (Vidya Balan) running away from her house to Chennai, a day before her marriage.
She tries her best to get a role in a film but is eventually insulted by the casting director for being unattractive and useless. The determined Reshma, however, goes to the film shoot to convince him again and spontaneously grabs the role of a side dancer. She instantly steps into the sequence, and dances with whips to movements and expressions. Annoyed by this is the film's director, (Emraan Hashmi), who believes that his creative art of film-making should dominate the screen and not the display of erotic and sensual content.
He edits out Reshma's entire dance sequence from the film. The film fails at the box office much to the dismay of the producer Selva Ganesh (Rajesh Sharma).
The film was relaunched when the producer comes to know about this by adding the same song, who later meets Reshma to offer her a song in his upcoming film, and suggests that she should now be referred to as 'Silk'. At the first shoot, 'Silk' is spellbound and nervous to dance with Suryakanth (Naseeruddin Shah), her childhood idol, resulting in the shoot being unsuccessful and the arrogant Suryakanth disappointed. But Silk succeeds in seducing and convincing Suryakanth by offering a long-term with him. Meanwhile, Abraham proposes a new film to Selva Ganesh and is very keen to cast Suryakanth. Suryakanth suggests Abraham add spice (hinting towards Silk) to make the film more commercially viable.
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This angers Abraham and he grows to have contempt for Silk. Silk, however, is determined and confident that films are all about entertainment, and she gives them just that. She goes on to do many more erotic and sensual films with Suryakanth, playing bold characters, wearing sexy and revealing clothes, and dancing seductively with lead actors. She gains many male fans who drool over her, and within a short span of time, becomes immensely rich and popular as the Southern sex star. Suryakanth's younger brother and unnoticed writer Ramakanth (Tusshar Kapoor) reveals he's an admirer of Silk and tries to befriend her. Silk is happy that someone finally likes her for who she is and not just for her body. They both go to Silk's original house where her mother disconnects with Silk forever.
At an award ceremony, Silk is rewarded for her performance but is also insulted by Suryakanth who tells her that she is nothing but everyone's 'dirty secret'. Silk announces that she will continue to make her ', and that she has no qualms about it. Silk spends more time with her new-found admirer Ramakanth, who is now in love with her.
She encourages him to gain visibility as a writer, and overcome his elder brother's dominating presence on the film scene. Sensing their affair as sensational news, noted journalist Naila (Anju Mahendru) degrades Silk both brothers. Suryakanth finally drops Silk from his forthcoming films, thus forcing her to work with other small time film makers. Unhappy and bored by the mediocrity around her, she loses interest in her work, leading to hurls and abuses with other directors.
Later at the launch party of Ramakanth's new film, Silk meets a younger aspirant, Shakeela. Feeling threatened by her competition in the industry, she insults and challenges her to a dance. At the end of the dance, Silk trips Shakeela intentionally showing her that she cannot be beaten, much to the embarrassment of Ramakanth, and he breaks off with her.
Ghost is an Indian horror film written and directed by Puja Jatinder Bedi. The film stars Shiney Ahuja and Sayali Bhagat in the lead roles and also features Rahul Roy who returns to acting after almost 6 years. It is also Shiney Ahuja's first film after been accused by his then 18 years old maid for raping her. The film was released on Friday 13 January 2012, to mostly negative reviews from critics.Several scenes of the film were cut down and trimmed by the Indian censor board as they felt the scenes were violent enough for Ghost to be rated as the most violent hindi film ever. PlotThe film starts with a ghost, roaming with cockroaches on her body. Doctor Saxena of an unknown hospital is brutally murdered by pulling his heart out of his body. His murder is followed by the murder of a nurse of the same hospital.
Investigator Vijay (Shiney Ahuja) is assigned the duty of finding the killer. During his investigation, Vijay meets Dr. Suhani (Sayali Bhagat). She is the one who found the body of the nurse first.Suhani believes that something that was not addressed and was supernatural was doing this, but Vijay doesn't believe her theory. Then one more doctor of the hospital is murdered in the same way.
There at hospital one more person was killed. He was an office boy, who was registered by audience in operation theater few minutes before his death. (Office boy was helping doctors in operating the patient).It is then revealed that one more person - a hospital intern Mary (Julia Bliss) has been missing since long.
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Vijay also discovers that he suffered from partial memory loss which was an outcome of an accident he had some time ago. Also he knew Mary and both were together in an adventure show before he suffered that accident.Suhani maintains that there is something which is not being addressed. Vijay after not believing her for a long time finally starts seeing visions from the past.It is then revealed that Mary had been the love interest of Vijay and that he also married her in a church after the permission of his father.Just as the two get out of the church, they are attacked by a group of unknown men. Vijay tries to fight back, but he is hit on the head by a rod, leading to his partial memory loss.Mary is then beaten up by those men and is crucified.
She is taken to the city hospital where she is eventually declared dead, but her heart continues to beat. Because she is an international citizen there is huge hue and cry by the media and Australian embassy. Finally the doctors feel that she is unholy and get her chopped into pieces from a local butcher and throw her remains in the sea.Vijay, after seeing all this as visions, discovers that his father was behind this and that he had bribed the attackers and doctors, wardboy and nurse to kill Mary. He confronts his father. His father tries to escape but is killed by Mary along with all the attackers (who had killed Mary) and the butcher. Mary find solace in Jesus's arms because of her never dying faith and belief.
Several murders have taken place throughout the city of Kolkata. A serial killer is believed to be responsible. The modus operandi being that the killer always carries out the murder according to verses in Bengali poetry. He leaves behind the verses next to the victims. The police are baffled, with their lead detective struggling to solve the case.
This leads his superior deciding to bring back an ex-cop to help solve the case. The ex-cop, who was earlier suspended for orchestrating a fake encounter, is also well known for his ill temperament.
Now the ex-cop and the lead detective must work together to catch the serial killer before another innocent loses his life.
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